![]() "This is my moral moral is this", says a man in a bar taking out his gun and displaying it publically. Everybody lives according to his own principles, away from God, and therefore turning the world upside down. The film opens with the moral microuniverse that will invade the entire collapse show for 93 minutes: to each his own Morality, to each his own Justice. ![]() But it is surprising because you would expect the film to acquire new techniques, and it seemingly doesn't.īut it takes around 30 minutes to realize that this is one huge step forward compared to Carné, and that the beginning was definitely not bullshitting. You could describe it as "unstable", which is good, given the increasing psychological instability of the character. That is something quite surprising indeed, what stands out from Carné is its use of editing that assaults the senses quite pervasively: juxtaposition of aggressive images with comedic ones, the sound of a loud "BANG" while making a close-up to an object or person at the speed of light, and maybe using another "BANG" to return to its original position. It takes less than 5 minutes to realize that Noé is using exactly the same visual techniques that he had used 7 years ago. Way much more.įor those that missed Carné, the film opens with a quick recap of everything that happened in the first installment, and then more. ![]() ![]() Seul Contre Tous is much more than just a sequel to Carné (1991). ![]()
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